WHAT IS THE EFFORT OF CARRYING NOTHING / WHAT DOES THE DANCE DO / WHAT HAPPENS BETWEEN YOU AND I / WHAT MAKES THE RIGHT CONDITIONS FOR THE SPARKS TO HAPPEN BETWEEN / HOW CAN PERFORMANCE GENERATE AN ENVIRONMENT OF MUTUALLY ASSURED SURVIVAL / HOW DO I AS A PERFORMANCE FACILITATOR GENERATE A STRUCTURE IN WHICH SOMETHING BRIGHT HAPPENS / WHERE ARE THE EDGES OF POSSIBILITY / HOW IS THE BEAUTY / WHERE IS IT / HOW TO WE GET TO IT WITHOUT GETTING EXTRACTIVE / WHAT ARE WE PRODUCING AND WHAT ARE WE ASKING ABOUT WHAT WE’RE PRODUCING / HOW TO MAKE A ROUTE OF EASY ACCESS / HOW TO MAKE A ROUTE OF ACCESS TO A PLACE WHERE WE DON’T KNOW WE ARE GOING 

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TH IS WORK ASKS A WHY QUESTION ABOUT PREDATION

TH IS WORK ASKS IF MUTUAL SURVIVAL

TH IS WORK ASKS HOW TO GET TOGETHER

TH IS WORK ASKS HOW TO BE TOGETHER 

TH IS WORK ASKS WHAT TO DO

TH IS WORK DOES WITHOUT KNOWING WHAT IT’S DOING

TH IS WORK IS IN A CONFLICT OF KNOWING

TH IS WORK WORKS IN LOVE LABOR

TH IS WORK WONDERS HOW TO CREATE CONDITIONS OF POSSIBILITY

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THIS WORK WONDERS HOW TO CARE

THIS WORK WONDERS ABOUT INTIMACY

THIS WORK ASKS FOR THE DOORS TO BE OPEN

THIS WORK WANTS TO LOOK INTO THE EYES OF THE AUDIENCE

THIS WORK ASKS TO EXCHANGE VALUABLE INFORMATION

THIS WORK ASKS FOR THE BORDERS OF ITSELF TO BE CROSSED

THIS WORK STUDIES HOW TO HAVE CARE FOR ANOTHER REGARD

THIS WORK WONDERS HOW TO BE INVITING, HOW TO INVITE MANY DIFFERENT TYPES OF PARTICIPATION

THIS WORK ASKS WHAT PARTICIPATION IS

THIS WORK ASKS FOR BEING IN THE DIFFICULTY

THIS WORK WANTS TO BOTH ATTEND AND BE ATTENDED